"解放的舌头"-博伊斯电影放映
金熙真("解放的舌头"项目策展人)
策展项目"解放的舌头"-博伊斯电影放映
放映地点：下河迷仓
放映时间：1月18日 19：00
Heejin Kim(Curator of “Tongue, Liberated!”)
Curatorial Project “Tongue, Liberated!”—Films of Joseph Beuys
Film Presentation
Venue: Down Stream Mecoon
Time: 19:00, January 18
“约瑟夫•波依斯与大众的对话”1974，120分15秒，录像，黑白
声音及制作：威隆伯•夏普 合拍方：罗纳德费尔德曼美术馆
这部作品记录的是艺术家约瑟夫•波依斯在纽约社会研究新学院与人们交流的情景。在片中，波依斯在三大块黑板上画出了他对大众艺术的这一概念的理解，并逐一解释，解释完毕后将所画内容擦去。在下面的观众中包括克拉斯•奥尔登堡， 阿尔•汉森及其他一些艺术家。通过观众们强烈的反应可以看出，在当时，人们对波依斯的这种理论是充满争议的，不同人群对此的看法差异很大。波依斯的这次大众对话也是他在美国的跨出的第一步。
“约瑟夫•波依斯与观众的对话”1980，50分19秒，录像，黑白及彩色
制作：詹弗兰科•曼贴那 摄影/编辑：金•哈尔西，阿伦•克雷布斯
这部极富震撼力的纪录片讲述的是约瑟夫•波依斯于1980年1月7日在纽约的促进科学与艺术库帕联合会与大众对话的情景。通过这段录像，以及他在古根海姆博物馆的个展，波依斯阐述了他对艺术体系、艺术实践的看法以及他是如何理解艺术实践与个体及大众的关系的问题。在这段对话录像中，最引人注意的是观众的反应千差万别，有直接而尖锐的提问，还有为指出波依斯的这些观点在实际应用中可能遇到的种种困难而进行的即兴行为表演。
“Joseph Beuys’s Public Dialogue” 1974, 120 min & 15 sec., video, black & white
sound & production by Willoughby Sharp, Co-produced by Ronald Feldman Gallery
This is a video recording of the artist’s dialogue with the public that took place in New School for Social Research in New York. In the video, Beuys draws his ideas of public art practices in three large boards, explains them, and erases everything after the dialogue. Among the audience were Claes Oldenburg, Al Hansen and others. The apparent tenseness in the audience shows the then controversial reactions to his project, the sharply divided opinions. The dialogue was also his very first move in the US.
“Joseph Beuys’s Dialogue with Audience” 1980, 50 min & 19 sec., video, color & black & white, sound
Production: Gianfranco Mantegna, Photography/Editing: Kim Halsey, Arlene Krebs
This powerful documentary video records the artist’s dialogue with his audience at the Cooper Union for the Advancement of Science and Art in New York on January 7, 1980. In this dialogue held in conjunction with Beuys’ solo exhibition in the Guggeheim Museum, Beuys presents his view on art system, art practice and its relationship with individuals and the public. What is most noticeable in this dialogue is the audience’s responses ranging from intense questions to an improvised performance that comments on the difficulties implied in practical application of Beuys’ ideas.
策展项目"解放的舌头"-博伊斯电影放映
放映地点：下河迷仓
放映时间：1月18日 19：00
Heejin Kim(Curator of “Tongue, Liberated!”)
Curatorial Project “Tongue, Liberated!”—Films of Joseph Beuys
Film Presentation
Venue: Down Stream Mecoon
Time: 19:00, January 18
“约瑟夫•波依斯与大众的对话”1974，120分15秒，录像，黑白
声音及制作：威隆伯•夏普 合拍方：罗纳德费尔德曼美术馆
这部作品记录的是艺术家约瑟夫•波依斯在纽约社会研究新学院与人们交流的情景。在片中，波依斯在三大块黑板上画出了他对大众艺术的这一概念的理解，并逐一解释，解释完毕后将所画内容擦去。在下面的观众中包括克拉斯•奥尔登堡， 阿尔•汉森及其他一些艺术家。通过观众们强烈的反应可以看出，在当时，人们对波依斯的这种理论是充满争议的，不同人群对此的看法差异很大。波依斯的这次大众对话也是他在美国的跨出的第一步。
“约瑟夫•波依斯与观众的对话”1980，50分19秒，录像，黑白及彩色
制作：詹弗兰科•曼贴那 摄影/编辑：金•哈尔西，阿伦•克雷布斯
这部极富震撼力的纪录片讲述的是约瑟夫•波依斯于1980年1月7日在纽约的促进科学与艺术库帕联合会与大众对话的情景。通过这段录像，以及他在古根海姆博物馆的个展，波依斯阐述了他对艺术体系、艺术实践的看法以及他是如何理解艺术实践与个体及大众的关系的问题。在这段对话录像中，最引人注意的是观众的反应千差万别，有直接而尖锐的提问，还有为指出波依斯的这些观点在实际应用中可能遇到的种种困难而进行的即兴行为表演。
“Joseph Beuys’s Public Dialogue” 1974, 120 min & 15 sec., video, black & white
sound & production by Willoughby Sharp, Co-produced by Ronald Feldman Gallery
This is a video recording of the artist’s dialogue with the public that took place in New School for Social Research in New York. In the video, Beuys draws his ideas of public art practices in three large boards, explains them, and erases everything after the dialogue. Among the audience were Claes Oldenburg, Al Hansen and others. The apparent tenseness in the audience shows the then controversial reactions to his project, the sharply divided opinions. The dialogue was also his very first move in the US.
“Joseph Beuys’s Dialogue with Audience” 1980, 50 min & 19 sec., video, color & black & white, sound
Production: Gianfranco Mantegna, Photography/Editing: Kim Halsey, Arlene Krebs
This powerful documentary video records the artist’s dialogue with his audience at the Cooper Union for the Advancement of Science and Art in New York on January 7, 1980. In this dialogue held in conjunction with Beuys’ solo exhibition in the Guggeheim Museum, Beuys presents his view on art system, art practice and its relationship with individuals and the public. What is most noticeable in this dialogue is the audience’s responses ranging from intense questions to an improvised performance that comments on the difficulties implied in practical application of Beuys’ ideas.
据说波伊斯的作品是越看越糊涂，要想明白就得听他讲话。可可可可可你瞧瞧这大师他死了！！！！！！
[quote]引用第1楼guest于2008-01-14 20:26发表的 :
据说波伊斯的作品是越看越糊涂，要想明白就得听他讲话。可可可可可你瞧瞧这大师他死了！！！！！！[/quote]
SB,你也可以去死的,死了就明白了
据说波伊斯的作品是越看越糊涂，要想明白就得听他讲话。可可可可可你瞧瞧这大师他死了！！！！！！[/quote]
SB,你也可以去死的,死了就明白了
哈哈哈 据说。。。 [s:326]
