作者：Marianne Templeton（马姗姗编译） 来源：artspy艺术眼
Exhibition view, IAIN BAXTER& / Adam Chodzko, Raven Row, 2013
IAIN BAXTER&与Adam Chodzko形成了一个有趣的组合。他们在Raven Row的联展，两位艺术家都被允许使用了该空间向来不对公众开放的区域；他们都曾有过在非常规地点建造装置的经验。我们闯入了私人的空间，期待各种各样的遭遇。
这两位艺术家的个人作品形态，分别起源于20世纪50年代和90年代，却都形成了一种以相互遭遇（encountering）、再脉络化（recontextualising）和记录为基础的构建形式。他们的作品都通过操纵日常生活的经验和电子商务、市场营销、一级市场和消费的语言，逃脱了封闭的艺术世界内部参考系统。
有趣、热情，而且似乎总是领先一步，BAXTER&和Chodzko各自不断地重塑着艺术家的定义。这场展览展示了当观念艺术打破局限，走进真实世界，能做到什么。
Adam Chodzko, Desert Island, 2013
IT， Left to right: 'Blown Out Flavin' (1965); 'Stripped and Racked Franz Kline, Mahoning, 1956' (1966)
IT,Pneumatic Judd,1965
Exhibition view, IAIN BAXTER& / Adam Chodzko, Raven Row, 2013. Foreground: IT, 'Stripped and Racked Franz Kline, Mahoning, 1956' (1966).
Iain Baxter,Left to right: 'Landscape with Cirrus Cloud' (1965); Four Plastic Bottles (1965); Still Life with Carrot (1965)
Exhibition view, IAIN BAXTER& / Adam Chodzko, Raven Row, 2013
Exhibition view, IAIN BAXTER& / Adam Chodzko, Raven Row, 2013. Foreground: Iain Baxter, 'Liquid Detergent, Vancouver, British Columbia (1965/2005)
N.E. Thing Co.,Transcanada Highway Near Fort William, Ontario, Canada
Date(s) : 1968
Adam Chodzkom, Props. For memorising the gravity of mime objects. (Flood), 2013
Adam Chodzkom, Props. For memorising the gravity of mime objects. (Fire), 2013
Iain Baxter, Sign, Highway 17, Near Sudbury, Ontario, 1969/2005
Adam Chodzko, Like This, 2013
Adam Chodzko, Like This, 2013
Adam Chodzko, The Tropics of London, 2013
Exhibition view, IAIN BAXTER& / Adam Chodzko, Raven Row, 2013
IAIN BAXTER&, Rebecca’s Bagged Place, 2013
IAIN BAXTER&, Rebecca’s Bagged Place, 2013
IAIN BAXTER&, Rebecca’s Bagged Place, 2013
